The Guardian‘s excellent series of booklets, with a wallchart on propaganda, provided a very accessible overview with plenty of examples from poetry, reminiscences and art as well as the historical background. The complete series, or missing booklets, can now be ordered here. Much of the material in the booklets can also be found online, here along with other material on the war. The Guardian also carried a moving interview with Harry Patch, the last surviving British soldier who fought in the trenches, by Andrew Motion, and a short video on the Battle of the Somme. Oxford University has also just launched a much enhanced version of its excellent First World War Poetry Digital Archive.
At our consortium meeting yesterday, Nadine was an enthusiastic advocate of All Quiet on the Home Front, ‘An Oral History of Life in Britain During the First World War’, by Steve Humphries and Richard van Emden, which she praised for the valuable first-hand accounts to balance the poetry from the front line. Someone reminded us of the value of the approach in Oh! What a Lovely War – script from 1967 and film version in 1969 (remembering the context in which it was produced). And I didn’t even have time to mention, or play extracts from, The Pity of War: a collection of elegiac First World War works by Elgar, Janacek, Debussy with a second disc of Wilfred Owen letters and poems read by Samuel West, interspersed with wartime songs. For literature teachers, the second disk alone is worth the price.
Finally, for a broader overview, I can commend James Anderson Winn’s The Poetry of War, a wide-ranging study of war poetry from Homer to Bruce Springsteen. My review in NATE’s English Drama Media can be found here.